Sunday, 7 September 2008

Proposed Medical Loss Ratio Requirement In California Would Not Address Rising Health Care Costs, Insurers Say


California wellness insurers tell legislation that would command them to spend at least 85% of exchange premium revenue on health benefit expenses would not address the rudimentary causes of rising health care costs or ameliorate the calibre of upkeep, the Wall Street Journal reports. The bill, which the state of matter Legislature approved on Sunday, aims to hold blue rising costs for patients and employers by limiting the sum health plans can pass on "wasteful administrative costs and unreasonable profits," according to bill sponsor state of matter Sen. Sheila Kuehl (D).

The pecker would take health insurers to uphold at least an average 85% aesculapian loss proportion across all lines of business by 2011. Under the lawmaking, health plans would be allowed to subtract task payments from their revenue and consider disease-management and nurse call lines as medical costs, rather than overhead. OppenheimerFunds analyst Carl McDonald aforesaid that with those and other adjustments in calculations, "all plans in the state would be safely above the minimum prerequisite," but they would ingest to reconsider growth in the single and small-group markets because of the lower deprivation ratios in those sectors.

Michael Kleinman, a voice for WellPoint, said, "We do not like to see this kind of legislation; we think at that place can be some unintended consequences," adding, "We will have to modify what we're doing." California accounts for 20% of WellPoint's members. Aetna spokesperson Mohit Ghose aforementioned that a fixed deprivation ratio demand "doesn't accept into business relationship the need to turn to underlying cost drivers in health maintenance" and that until lawmakers address those issues directly, the industry will not be able to provide more low-priced policies for the uninsured.

UnitedHealth Group spokesperson Tyler Mason said that health insurers supported the loss ratio requisite when it was part of Gov. Arnold Schwarzenegger's (R) failed health care plan, merely he added that insurers would object to the proposal without other changes to the state's health care organization (Wisenberg Brin, Wall Street Journal, 9/3).

Other Legislation
California lawmakers also took action on a number of bills, including some health maintenance measures, earlier the legislative session complete on Sunday, the Sacramento Bee reports (Rojas, Sacramento Bee, 9/1). Among the recent action:


The Assembly on Friday sanctioned legislation (SB 840) that would create a state-run, single-payer health care system using state and federal funds, with patient premiums and copayments capped at $250 per person or $500 per family annually. Lisa Page, a representative for Gov. Arnold Schwarzenegger (R), aforementioned the regulator would veto the bar. He rejected a exchangeable proposal in 2006 (AP/San Francisco Chronicle, 8/29);


The Legislature approved a bill (AB 1945) that would license health insurers to overturn health insurance policies only under specific conditions and would subject rescissions to review by state regulators. Schwarzenegger has not interpreted a situation on the measure merely he has urged lawmakers to bar insurers from terminating coverage for people with illnesses;


The Assembly sanctioned legislation (AB 2569) that would need health insurers to maintain coverage for family members of citizenry whose health insurance coverage has been rescinded (Vogel, Los Angeles Times, 9/1);


The Senate sanctioned a bill (AB 2) that would require health plans to offer coverage to people considered medically uninsurable because of preexistent medical conditions or bestow to a state account that subsidizes insurance for them (McGreevy, Los Angeles Times, 8/27);


The Legislature spurned legislation (SB 1522) that would take in broken health plan policies into five-spot categories as part of an effort to make it easier for consumers to compare coverage options (Sacramento Bee, 9/1);


The Senate approved a measure (AB 211) that would expect hospitals to develop plans to protect patients' medical information and that would establish a new state Office of Health Information Integrity, which would be authorized to issue fines of up to $250,000 for patient seclusion breaches (Los Angeles Times, 8/27); and


The Senate approved a circular (SB 541) that would increase fines against hospitals for dangerous medical errors from $50,000 to $125,000 (Los Angeles Times, 8/27).

Reprinted with kind permit from hTTP://www.kaisernetwork.org. You can purview the entire Kaiser Daily Health Policy Report, search the archives, or signboard up for email bringing at hypertext transfer protocol://www.kaisernetwork.

Friday, 29 August 2008

Mp3 music: Daphne Loves Derby






Daphne Loves Derby
   

Artist: Daphne Loves Derby: mp3 download


   Genre(s): 

Rock

   







Daphne Loves Derby's discography:


Good Night, Witness Light
   

 Good Night, Witness Light

   Year: 2007   

Tracks: 13






Like Nirvana did most deuce decades antecedently, the pop-friendly indie trio Daphne Loves Derby originally formed in a modest township near Seattle, WA (Rockwell Kent sooner than Aberdeen, in their caseful) when the bandmembers were noneffervescent teenagers. However, Kurt Cobain and Krist Novoselic didn't get the Internet when they were kids, so they didn't get the opportunities to climb up the wait line afforded by websites like MySpace and purevolume, and Cobain's personal demons are nowhere to be establish in this whitney Young group's tuneful and relatively cheery music.


Peerless of the new multiplication of bands whose high on-line profiles light-emitting diode to a relatively warm record deal, Daphne Loves Derby formed in 2002 when a 14-year-old prodigy named Jason Call sent an instantaneous message to high sophomore Kenny Choi after he proverb Choi's first banding play a local party. Choi, a singer and guitarist, accepted Call's invitation to pile with the thomas Young bassist and the evenly young drummer Stu Clay. Fitting rehearsals around their academic agenda (imposingly, Call managed to graduate not only from high school, simply from college, in time for his 18th natal day), Call, Choi, and Clay made their public debut at a local music festival where they knowledgeable barely before they went onstage that there was already another band with their original diagnose; Choi impetuously announced that their new identify was Daphne Loves Derby, a meaningless handle that even so stuck.


Daphne Loves Derby's homemade demonstration and disengage online downloads showcased the band's blend of winsome popcraft (à la the Shins, whose breathy vocal style Choi fairly approximates) and Death Cab for Cutie-style indie rock, garnering the ring sufficiency of a winnow base to commence touring. In early 2005, Daphne Loves Derby signed with Outlook Music, a burgeoning indie label owned by Denver Broncos linebacker Trevor Pryce, and released their debut EP, End Down the Pattern Department. That EP, which consisted principally of the songs already available online, was promptly followed by the all-new On the Strength of All Convinced, a more varied and poppier record that included the single "Hammers and Hearts." The band went on tour in North America and Japan soon after, sharing the point with groups like Copeland, Paulson, House of Fools, Waking Ashland, and Sherwood. A year by and by, Daphne Loves Derby took a break to commit together their second full-length elbow grease. Recorded at the base studio apartment of Panic! At the Disco producer Matt Squire, Goodnight, Witness Light found the banding undermentioned in the pop-oriented footsteps of their first full-length. Call left the banding in order to go to schooling and pursue missionary work presently later on the album was realised.





Watch Santogold talk about her recent chart success at this year's Leeds Festival

Tuesday, 19 August 2008

Mp3 music: Nek






Nek
   

Artist: Nek: mp3 download


   Genre(s): 

Pop
Rock
Pop: Latin
Other

   







Nek's discography:


Nella Stanza 26
   

 Nella Stanza 26

   Year: 2006   

Tracks: 10
Lei, gli Amici e Tutto il Resto
   

 Lei, gli Amici e Tutto il Resto

   Year: 2005   

Tracks: 14
El Ano Cero
   

 El Ano Cero

   Year: 2004   

Tracks: 18
The Best of Nek: l'Anno Zero
   

 The Best of Nek: l'Anno Zero

   Year: 2003   

Tracks: 18
Tan solo tu
   

 Tan solo tu

   Year: 2002   

Tracks: 20
Le Cose da Difendere
   

 Le Cose da Difendere

   Year: 2002   

Tracks: 11
La Vita E
   

 La Vita E

   Year: 2000   

Tracks: 14
La Vida Es
   

 La Vida Es

   Year: 2000   

Tracks: 14
Nek (Espana)
   

 Nek (Espana)

   Year: 1998   

Tracks: 11
In Due
   

 In Due

   Year: 1998   

Tracks: 14
Entre Tu Y Yo
   

 Entre Tu Y Yo

   Year: 1998   

Tracks: 13
In Te
   

 In Te

   Year: 1997   

Tracks: 9
Calore Umano
   

 Calore Umano

   Year: 1997   

Tracks: 10
Una Parte Di Me
   

 Una Parte Di Me

   Year:    

Tracks: 10
Others
   

 Others

   Year:    

Tracks: 3
Nek
   

 Nek

   Year:    

Tracks: 10
Las Cosas Que Defendere
   

 Las Cosas Que Defendere

   Year:    

Tracks: 11






Italian Euro-pop singer Nek (b. Filippo Neviani) began playing guitar and drums at the age of nine, and studied medicine for several years in the early '80s. By the after half of the decennary, he had begun vocalizing professionally and 2 of his former singles, "Winchester" and "Stanford White Lady," both became goodly Italian hits. He released his debut album Nek in 1992, and followed with In Te one year later. After the handout of Nek's Calore Umano in 1994, he north Korean won several singing festivals end-to-end Italy, and released his biggest album to date, Garland, Gli Amici E Tutto Il Resto in 1997. Entre Tu y Yo appeared a class after, with Vida Es and Le Cose Da Difendere following in 2000 and 2002 respectively.






Saturday, 9 August 2008

Muse happy with leaked Streets collaboration

Muse are not, it seems, procrastinators. Mere months after expressing an interest in working with the Streets, a track has leaked with Muse's blusterous guitars and an original Mike Skinner rap.

Who Knows Who was leaked on the internet this weekend, coming into court unofficially on a Muse message-board. Despite Skinner's unmistakeable rhymes, some fans were sceptical that it was Muse providing the music, which oscillates from goofy funk to full-on stone, without whatever of Matt Bellamy's vocals. It wasn't long, however, before fans identified the riff as one that Muse had been experimenting with at recent live shows, and then the band weighed in with an official statement.

"The MP3 floating around ... was the result of a late-night jam session and something we did for a bit of a gag featuring a blues riff we receive been playing live of late upon which Skinner recorded some vocals. It is not intended to be a serious release so we are happy for it to be leaked unofficially."

Speaking to BBC 6 Music in April, Bellamy said that he precious to work on with Mike Skinner and create an English consider on Rage Against the Machine. "London rap-rock," he explained. "Just like a little one-off � it might be a laugh."

In June, the Streets opened for Muse at Wembley stadium � giving ample opportunity for the 2 bands to get together backstage and have a go at angry rap rock. Though Skinner's lyrics are not always coherent, there's a real push to Who Knows Who, particularly in the crash of the guitars on the chorus. "I'll rejoin at whatsoever hour," Skinner intones, "piece of ass all your lot, fuck your power!"







More info

Tuesday, 1 July 2008

Indiana Jones and the Kingdom of the Crystal Skull

When we last saw Indiana Jones (Harrison Ford) in 1989�s The Last Crusade he was battling Nazis in 1938 and riding off into the sunset with Dad (Sean Connery) in tow. Now just like the movie, the story has advanced 19 years to the height of the Cold War in 1957--and a world living under the threat of nuclear annihilation. In a restricted desert area Indy barely survives a run-in with Soviet agents, led by Irina Spalko (Cate Blanchett)--a cold-hearted, whip-cracking woman who will stop at nothing to get what she needs. Because of government suspicions that he is colluding with the KGB (rather than spying on them), he returns home to Marshall College to find himself out of a job. As his train is about to depart, he is confronted by Mutt (Shia LaBeouf), a leather-jacketed biker who has a personal motive in presenting Indy with a map that could lead to one of the most amazing archaeological discoveries ever, The Crystal Skull of Akator. Off they go together on their mission to Peru�s remotest jungles where they must escape more run-ins with Spalko and her agents as well as have an unexpected reunion with Mutt�s mother, Marion Ravenwood (Karen Allen), Indy�s old love interest. Does he eventually save the day? Have you EVER seen one of these films before?There is no question that Harrison Ford and Indiana Jones were made for each other and even after nearly two decades apart, the marriage between actor and his most iconic role is still a perfect fit. Smartly, Ford lets Indy age, so even though he�s probably Hollywood�s only gray-haired action hero this summer--and there are more lines in his face--he�s still got it. You believe he can still pull off all this derring-do which is pretty remarkable for an actor now eligible for Social Security checks. Best of all is the deadpan delivery of the arsenal of Indy quips screenwriter David Koepp has provided the actor. Just like River Phoenix in the last Indy film, Shia LaBeouf�s Mutt may have been created to bring in a younger audience, but LaBeouf and Ford have genuine chemistry. They play off each other in style, especially when Indy discovers Mutt is his son. A �tip of the hat� between the pair at the end will spark speculation about just where this series could go next. The cast is rounded out by solid British actors, including: Ray Winstone, as a friend who may be double-dipping; Jim Broadbent as the president of the University; and John Hurt as Professor Oxley, a man holding a big secret. Blanchett seems to be channeling Natasha from Rocky and Bullwinkle, deliciously playing the thick-accented Soviet agent thing to the hilt. Karen Allen, back as Ravenswood, is an inspired idea and starts sparring with Indy without missing a beat. If this does turn out to be the last film in the series, they have found the perfect way to end it.Let�s face it, Steven Spielberg could probably direct this film in his sleep, but the lighter tone and the feeling makes this collaboration between Spielberg and his old friend, exec producer George Lucas, go down easy. Right from the opening set piece in which Indy is confronted by the Soviets, to a wild motorcycle chase ending in the college library, you know you are in the hands of a master of action. Fortunately, the best is saved for the second half with a stunningly filmed pursuit through Peru�s coastal jungles that includes a great bit with flying monkeys, and another trip off some daunting water falls for Ford (Didn�t he get enough of that in The Fugitive?) The big finale is full of the trademarked CGI effects work we�ve come to expect from exec producer Lucas� ILM and it�s state-of-the-art technologies. Clearly for fans, this long gestating sequel is well worth the wait--an old fashioned movie experience that sparkles like �crystal.�

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Monday, 23 June 2008

Edinburgh fest brings the glitz

Keira Knightley, Sienna Miller hit the red carpet





EDINBURGH, Scotland -- Poetry and drama by the seaside marked the opening of this year's Edinburgh International Film Festival as the red carpet rolled out Wednesday for the world premiere of John Maybury's Keira Knightley/Sienna Miller starrer "The Edge of Love."


Maybury's World War II-set film, which tells the story of Welsh poet Dylan Thomas and two women who love him, unspooled at the first gala event for the Scottish capital shindig, which is being held in June for the first time in its history, switching from its usual August slot.


The glitzy opening, complete with a star-studded audience that included Knightley, Miller and Sean Connery, kicked off a 12-day event that begins in earnest Thursday.


This year's festival, bookended by Maybury's movie and closing-night film "Faintheart," directed by Vito Rocco, has a strong U.S. presence.


Upcoming highlights for festgoers from across the pond include new Pixar/Disney animated offering "Wall-E," which will have a gala screening, and several U.S.-birthed documentaries including Margaret Brown's "The Order of Myths," Steven Sebring's "Patti Smith: Dream of Life" and "Standard Operating Procedure" from Errol Morris.


By the end of the event, a jury presided over by actor Danny Huston will have selected a winner for the fest's Michael Powell Award for best British film, which has seen its prize purse jump to 20,000 pounds ($39,000) this year, up from the previous year's 5,000 pounds.


The Michael Powell Award is sponsored by the U.K. Film Council, which bankrolled the prize increase. The government-backed organization stumped up a whopping 1.88 million pounds ($3.7 million) cash injection for the festival to spend over the next three years.


The coming days will feature a host of industry panels, master classes with filmmakers and evening parties to ensure industry attendees enjoy Scottish hospitality.


Time will tell if the audience is ready for a festival that's running some two months ahead of its longtime August dates.



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Monday, 16 June 2008

Leona Lewis - The Things They Say 8584


"AMY (WINEHOUSE) is an amazing artist and so talented. A performer's privacy is taken away. The media are always there. You can't make your mistakes in private." LEONA LEWIS on her troubled fellow British pop star.





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